
American Gods I chose because I liked the cover, I felt that I should read more sci-fi since my NaNoWriMo adventure, and I think that I was a little unfair to Neil Gaiman last summer just because of some poor timing. Well, the timing was poor again because I had recently finished A Thousand Splendid Suns, and the books in-between were not palate cleansing enough to prepare me for sci-fi. It’s like eating chili after Altoids.
American Gods is astonishingly creative and boasted of numerous subplots and hundreds of characters and no shortage of action and I have tremendous admiration for Gaiman in being able to imagine and tie it all together. Its primary question is: What happens to ancient pagan gods after their believers emigrate to America and cease to believe? How do the old gods interact with the new gods of internet, television, credit cards, cars, and freeways? I should have liked it. Most sci-fi fans would have. I appreciated the extended time that the characters spent traversing Wisconsin. But I was alienated by the relentless violence and I’m too ignorant of ancient pagan religions to really get it. After I looked the gods up in Wikipedia, the jokes were long passed. It took me three weeks to get through the first 100 pages.

Housekeeping by Marilynne Robinson is described on the back cover as a “modern classic”, and that might be accurate. Ruthie and Lucille are orphans living on the edge of a lake which has taken the lives of their grandfather and mother, and their home is managed by a series of relatives with varying degrees of competence. The book has enough plot and character development to please many, but I was drawn in mostly for the style of prose, as changing and misty and heavy and somber as the omnipresent lake.
A Passage to India by E.M. Forster I chose because I adore the Merchant Ivory Production films of A Room With A View and Howards End, which began life as Forster novels. I didn’t know much about it but I assumed it would be an inter-racial love story, a clash between British colonial and Indian culture. It was indeed a clash, but in a different way than I thought. I liked it, but sometimes I was impatient with the relentless inner turmoil and social insecurities of the characters.
Bel Canto by Ann Patchett I had intended to read years ago when it was popular. I forgot, and then I found it recently in a used bookstore bin for one dollar! Really, I would have paid five dollars for it. Bel Canto was nearly poetry, which is good and bad. Good for the beauty and romance and all that, but unfortunately slow-moving in parts. I appreciated the suspense at the beginning and end but was impatient at times with the middle.
The theme, as I look these books over again, is surprise endings. Or maybe I was too winter-weary to attempt predictions?


